Are you one of those people with a stack of old vinyl records at home that you never listen to any more because it's a hassle to play them? Or are you worried about wearing out those treasured heirlooms by playing them over and over? Have you always wanted to know exactly how to convert your wonderful collection of old vinyl records into modern, fairly indestructible CDs? This article contains all the information you need to get on the way. Those who attended the Melb PC May monthly meeting, or the May East SIG will be familiar with the birth of this article and the concepts herein, but read on, there's more. After many e-mails from keen punters out there in Melb PC land, I have added some more useful tips to help you on the journey to sound utopia. Hardware Requirements These are things you must have. Turntable CD Writer Typical Home Stereo Amplifier CD-quality Sound Card Cabling Hard Disk Space Software Requirements
Firstly you need something to select the recording source from your sound card, and then the destination of the recorded wave file. This is generally a utility shipped on the sound card driver disk (but not always), although there are many after-market solutions available such as Audiograbber. See Figure 3.
CD writing software such as Adaptec Easy CD Creator (now named ROXIO Easy CD Creator) often supplied with your CD writer.
A number of other applications are also quite useful when copying vinyl to CD.
There are many different types of sound card out in the computer world so it is impossible for me to explain in detail how to set up each individual type of sound card. Some sound cards come with their own control software whereas others use the default Windows controls. If your sound card has its own software then you should use this software to set recording quality and recording levels. My sound card is a Yamaha XG Card and its configuration Window is shown in Figure 6. Notice the radio buttons that allow you to select the Sampling Rate, Type and Data Format.
In most cases you will able to set up your sound card for CD-quality recording using default Windows 95/98 controls.
Set Up First move your turntable and amplifier from the living room into your Computer Lab. Connect the turntable to the amplifier using the standard RCA lead. The turntable plugs into the phono input; from the auxiliary output on the amplifier run the RCA-to-Mini headphone plug to the line input on your sound card - See Figure 7.
For the purposes of this exercise I am going to demonstrate how to capture music using CD Spin Doctor, as I think it is one of the easiest to use and most effective products available. I will also touch on Audiograbber, as it is fairly easy to obtain. Start Easy CD Spin Doctor and select Music Source which will be LP through your sound card. See Figure 8.
Then select Music Destination which will be Files on Hard Drive - in a location you can specify. See Figure 9.
At this point you may want to click on the options button at the bottom left-hand corner of the dialog box and set up click and pop removal. Click the Clean button at the top, then click the Properties button in the bottom right, and check the box marked Adjust for source type, then click OK. See Figure 10.
With your amplifier switched to phono play your most treasured record. As the record starts click the Record to Disk button. See Figure 11.
If you are using Audiograbber it's even easier. Just select Line In Sampling from the file menu. See Figure 12.
Once you have opened the line in sampling screen you can set the recording levels by clicking on the Mixer button. This will open up a second window called Recording Control, Figure 13. Check the box under the Line Balance panel, and then adjust the recording level appropriately. Once you have set the levels, then all you have to do is hit the Record button at the same time as you place the needle on the record.
Important - Track Splitting If you don't do this you'll end up with Side A as Track 1 and Side B as Track 2, which is not desirable. If you use CD Spin Doctor, it has a track splitting utility, but I do not recommend using it. In my experience, the practice of recording each track individually is time consuming but far more reliable. This will also depend upon the type of music you are recording. Some records have distinct breaks of silence between tracks and some don't. I haven't tried the track splitting utility in Audiograbber yet, and would be keen to hear from anybody who has. Last but not least, use your CD writing software to write these tracks onto a CD. You can also use the Windows Sound Recorder located at Start/Programs/Accessories/Entertainment/Sound recorder, but again, I don't recommend this. I spent enough time fiddling with this product to know that it's not very useful. If you want to try it then make sure you set the recording quality to CD-quality. To set the Sound Recorder to CD Quality, Select File/Properties. This window will enable you to set the recording quality by clicking the Convert Now button and selecting 44,100 Hz, 16-bit, Stereo. Troubleshooting After copying many LPs these are some of the problems I have encountered. I trust this information will be helpful for you.
Questions & Answers These are some of the questions members have sent to me after I gave the presentation at the monthly meeting. I hope you find the answers useful. Q: Amplifier settings: Are the volume and bass & treble controls relevant for this exercise? If so, what principles should be observed in setting up? Normal listening level? or maximum? (Normally we have the volume at only about 25-30% of the maximum possible, 50% is near deafening.). A: No, the volume setting on the amplifier will not affect the recording level, and neither should the Bass/Treble controls. Some amplifiers allow you to adjust the output levels, but this will be a separate knob. To be safe, set the Bass/Treble flat (in the middle). Q: What is the difference between data CDs and CDs intended for audio use. The price difference is very clear. What is the theory and what is your experience? A: All of the standard data CD-Rs are suitable for audio, and supposedly the more you pay the better they are. The Gold CDs ($1.50) should theoretically last longer than the cheaper blue or silver types ($0.60 - $1.00). The dedicated audio CD-Rs that you speak of (around the $4 mark) are designed to be used in dedicated audio copying devices, not computer CD burners. These dedicated audio copying machines are home HiFi equipment, made by companies such as Pioneer and Phillips. They cost around $700 and can only copy audio. They are designed to plug into your HiFi, not your computer. Q: Editing sound and checking result: I doubt that the little speakers you get with PCs are much good for real HiFi sound reproduction to hear how the result will sound on the stereo system? Is it feasible to play the file back through our normal stereo speakers -(presumably using the auxiliary input on the amplifier - I will read the manual). I assume that, CD burning errors aside, this would be an accurate reproduction of the sound that would come from the end result CD? A: Typical computer speakers are not good enough to listen to the subtle differences that filtering music can make. I have an amplifier and a good set of reference speakers connected to my computer for this purpose. So - yes -play the files back through your home stereo, this will give you the best sound. There shouldn't be any discernible quality loss burning to a CD. Q: When we got our new PC, I omitted a sound card from the spec, as I didn't see any need for it to be able to do more than beep when we made an error. Not into adventure games, pop music off the Web or any of that sort of stuff. How wrong I was! Now that I have to go and get one, have you any recommendations? Are all the ones meeting the specs you quoted much of a muchness? We are rather keen on high quality sound reproduction of our classical music. If I am going to put in the time and effort to transfer our LP collection to CD - and obviously it is not a five-minute, nor a go-away-and-let-it-happen exercise, I want the best results possible. Appreciate any comments you feel able to offer. A: Sound Cards - well, like most computer gear, there are the big name brands, and the no name brands. Creative Sound Blaster cards like the Vibra 128 ($75) and Sound Blaster Live ($120), Live Platinum ($450) are great cards, but you pay a bit for the name. There is a Yamaha sound card (YMF 754, I think) that retails for around $70.00. It offers great performance, including optical digital outputs and I think it's good value. We sell all of them where I work. Useful Audio Programs and Utilities:
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